How to Get into Media

How to get into media 150x150 How to Get into Media
GRADUATE FOG‘S FOUNDER ON THE FUTURE OF FREELANCE JOURNALISM

Tanya de Grunwald has been a freelance features writer for women’s magazines including GLAMOUR, Cosmpolitan and Grazia, since 2002. She shares her wisdom with Graduate Fog readers keen to pursue a career as a freelance print journalist…

“I find graduates are often confused about what it actually means to be a freelance journalist – and that it’s somehow completely separate from the rest of journalism, when in fact it is just a way of working. Being freelance simply means that you are paid per article and can write for as many different titles as you like. And, of course, you don’t work in the publication’s office. The only time you do that is if you’re invited in to do holiday or maternity cover for permanent staff.

“I don’t recommend anybody starts out by freelancing. I did it but it took three years before I got my first staff job. During that time I was mainly doing holiday cover and short contracts for new launches. I wasn’t pitching and writing commissions from home – that’s a really bad way to start your career. Instead, try to get work experience, short-term editorial assistant holiday cover (which should be paid) and then go for editorial assistant jobs.

“Most freelance journalists I know started off like that – working in-house for a magazine or newspaper. Then when they decided they wanted to keep writing (as opposed to climbing the editorial ladder, becoming a section editor who is unlikely to write much) they will ‘go freelance’. Female journalists also often go freelance when their children are small as it means they can work from home and take on as many or as few commissions as little as they like.

“I think Carrie Bradshaw has given a lot of girls some funny ideas about freelance journalism. As a reality check, doing that one weekly 500-word column, I reckon she’d be making about £1,000 a month – before tax! Also, very few journalists start out writing columns about themselves or their own opinions. As one editor said to me, ‘Sweetie, you have to be a ‘somebody’ before anybody cares what you think about anything.’ Harsh but fair.

“Another misconception about freelance journalism is that the writing is the hardest part – when in fact that’s by far the easiest bit! The big challenge is ensuring I have a steady stream of work, which takes planning. However much I have on, I need to constantly pitch new ideas so there are always new things in the pipeline.

“I’m lucky that I’m pretty well established now, so around half of my commissions are for features my editors have invited me to write because we’ve worked together in the past. But when you’re starting out, nobody will ring you. The only stories you’ll write are ones you’ve pitched – and pitching is hard work with a low ‘hit’ rate.

“Have freelance journalists been hit by the recession? Absolutely – the whole industry has been badly affected. Publications are closing, fees are dropping and lots of journalists are being made redundant. Things don’t look likely to improve any time soon – the recession is only part of the problem. The real problem is the impact of the Internet.

“The way readers consume content – and the fact they have grown accustomed to accessing it for free online – has changed all the rules and triggered a crisis. Every journalist I know is worried (writers and editors, freelance and staff) – and many are setting up alternative careers as an escape route. All the magazines and newspapers are scrambling to find a solution – because at the moment they’re facing a very serious problem. And remember, this is just about the only industry that it’s not an option for the government to bail out, if things get really bad. The idea of a state-funded press sends shivers down the industry’s spine.

“To anybody thinking about starting a career in print journalism, I’d urge you to be flexible and consider learning the art of writing content for digital media instead – that’s writing for blogs, websites, mobile and Twitter. Digital is booming – print is declining. I never like to be a downer and tell graduates what they are – or aren’t – capable of but if I told you it was a good idea to start a career in print journalism in 2010, I wouldn’t be able to sleep at night.

“The good news is that I hear the digital space is crying out for good writers. The web has created hundreds of thousands of websites – but how often do you read online copy that’s really well-written? Friends in digital predict that the next big thing will be an improvement in the quality of online written content. People are sick of reading badly written rubbish. So, if think you can do it better, step up – your skills are in hot demand!”

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